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WAVES 2019 ARCHIVE

WAVES 2018 logo animated GIF

Crosscurrents of Art, Technology and Environment

UK: May 9th-11th

Singapore: May 9th-30th

Archive: 2019 Digital Art Exhibition

WAVES 2018 logo animated GIF

Crosscurrents of Art, Technology and Environment

UK: May 9th-11th
Singapore: May 9th-30th

Archive: 2019 Digital Art Exhibition

WAVES 2018 logo animated GIF

Crosscurrents of Art, Technology and Environment

UK: May 9th-11th

Singapore: May 9th-30th

ABOUT WAVES DIGITAL ART EXHIBITION 2019

Welcome to the WAVES 2019 Archive. WAVES is a digital art exhibition which acts as a bridge between international students. A collaboration between emerging artists from the School of Engineering at the University of Kent (UKC) United Kingdom, and the School of Art, Design & Media at Nanyang Technological University (NTU), Singapore.

Between 9th – 11th May, WAVES delivered two media architecture installations, one in Singapore at the Media Art Nexus NTU (MAN NTU) under the auspices of NTU Art and Heritage Museum, and one in the UK, at the Gulbenkian Media Façade (GMF) which is part of the Gulbenkian, the University of Kent’s Art Centre. The selected artworks made use of digital technologies in the public sphere to connect people, culture and community across geographies, closing the distance between the two continents.

Media ART NEXUS

The Media Art Nexus (MAN) has a goal of redefining the meaning of time-based media art in the public realm of Singapore and beyond. It is the first non-commercial urban screen of its kind in Singapore, dedicated exclusively to art content.
MAN is an artist-led urban media platform – 15m by 2m large LED media wall – exhibition space. The platform is one of the various NTU Art & Heritage Museum’s Art on Campus initiatives, a programme that started in 2014 with the aim of “bringing art to people”. The series of over 30 public art installations are part of NTU Museum Art Trail on Campus featuring a collection that is unique in Singapore.

GULBENKIAN MEDIA FAçADE

Installed in 2017, the Gulbenkian Media Façade (GMF) was an integrated outdoor media platform for projection-mapping, located at the University of Kent’s Art centre. It was the first permanent outdoor projection mapping platform in Canterbury, however, now in 2022, it no longer remains.

Covering 72 metres of surface area, the GMF was accessible to locals and university communities and was part of the Gulbenkian’s long-term strategy to bring digital technologies into the arts, engaging with local, international, emerging and established artists and communities alike, in the media industry.

It was equipped with 3 high-lumen projectors with the dimensions of 20m x 3.6m.

The Event

STUDENT ARTWORK

Shanjok Gurung
Cultures of Nature
Molly Harris
Pollution of the Mind
Karma
Petar Mihov
Birth and Death

STUDENT ARTWORK

Some leaves with raindrops on.
Red paint in water.
A crushed can under water, with green paint coming out of it.
Digital artwork of straight white, red, green and blue lines and circles.
Digital artwork of glwoing stones.
Digital artwork of a bright pink background, with pink circles on the left and middle, with green rounded rectangles between them. Then a plant pot inside of a "machine" with stars and lines of the colour blue, in the background. There is a yellow lable on the "machine".
Digital artwork of purple a background with indigo lines that form a blue, loose spiralling lines.
A pink Rose with water droplets.
Shanjok Gurung
Cultures of Nature
Digital art of of fish.
A pier with a town in the background.
Digital artwork of a girl with pink hair, random shapes and a green alien.
Digital artwork of eyeballs. There are 10 in total, 3 at the top, 2 larger ones in the middle, and 4 at the bottom. The middle one is blue and the other is white and red. The background is striped, with pink and yellow.
Digital Artwork of a human-like figure in the center, walking towards the camera. They are transparent, and the floor is a mirror. In the pink background, there is a large pink lotus, and floating cirlcles.
Digital artwork, of red burn marks, black holes, and 2 white lines at the top and bottom. In the middle is a oil painting of a person who is sideways. His body is on the right with his arm over his brown coat and white shirt, and his head is in the center. They have black eyes, and a middle parting in their wavy, brown hair.
A girl looking to the right.
Digital art of paint swirls.
Molly Harris
Pollution of the Mind
A dead plant close-up.
Based on the image "The Creation of Adam", an painting of God with their right hand outstretched to touch the left arm of another man (Adam), with cupids floating about and a blue baxckground. God, on the right, has a long white robe on and the man on the left is naked.
Digital artwork of red and grey swirls, with tones of orange, and speckles of white.
Karma
Digital artwork of a red and blue gradient background, with white spots scattered around, and a distorted shape in the middle, with shades of black, white, pink and orange. It is human-like, with legs walking to the left, and an arm reaching to the left. The head is in the middle at the top.
Digital artwork of red circles, that look like cells, with black centers. The artwork is vaporwave style, so uses blue lines straight lines over sharp geometric shapes, acting as mountains. The sky is birhg tblue, with a large blue planet in the background, and orange in the background. The image is filled with the red cirlces and some small ones are floating in the air, in the distance.
A close up of a hazel-coloured eye, with green eyeshadow and black eyebrows, and blonde hair.
Digital art of a man painting black lines on water.
Petar Mihov
Birth and Death
Digital art of a planet and satellite.
Digital artwork of egg-shaped circles on pink background.
On the left, a mirrored image of a human body. On the right, a person's back, with a line or tattoo along their spine.
Black and white digital artwork, with a mirrored floor, white smoke, and 4 black donut shapes with random words on them, including sea, and false, the rest are illegible. There are also 2 black cubes and 1 black cylinder, nders with illegible white words.
A photograph of a skyscraper building, which is in black and white. There is digital artwork placed in the middle of the building, which consists of blue and gold overlapping circles. There is another white and black builfding in the background on the left, and at the bottom right, there is a glimpse of another building. The sky is white.

STUDENT ARTWORK

Molly Harris
Pollution of the Mind
Karma
Shanjok Gurung
Cultures of Nature
Petar Mihov
Birth and Death

The Team

Project Leads Singapore:
Ina Conradi
Mark Chavez

Project Leads UK:
Dr Rocio von Jugenfeld
Alexandra Covaci
Boyd Branch

Student Support UK:
Jadine Ingram
Alice Isacila
Sam White
Jayd Alex

Student Support Singapore:
Sylvester Tan
Clara Lim

SPecial Thanks

UKC Institutional Support:
Liz Moran
Oliver Carruthers
David Haigh
Dave Yard

 

NTU Singapore Institutional Support:
Muhammad Mustajab Bin Mohamad
Faith Teh Eng Eng 
Solomon Quek Jia Liang

Acknowledgements

Media Art Nexus, NTU Singapore

Gulbenkian Media Façade

Check out the collaborators:

The Team

Project Leads Singapore:
Prof Ina Conradi
Mark Chavez

 

Project Leads UK:
Dr Rocio von Jugenfeld
Dr Alexandra Covaci
Boyd Branch

Student Support UK:
Jadine Ingram
Alice Isacila
Sam White
Jayd Alex

Student Support Singapore:
Sylvester Tan
Clara Lim

SPecial Thanks

UKC Institutional Support:
Liz Moran
Oliver Carruthers
David Haigh
Dave Yard

NTU Singapore Institutional Support:
Muhammad Mustajab Bin Mohamad
Faith Teh Eng Eng 
Solomon Quek Jia Liang

Acknowledgements

Check out the collaborators:

The Team

Project Leads Singapore:
Prof Ina Conradi
Mark Chavez

 

Project Leads UK:
Dr Rocio von Jugenfeld
Dr Alexandra Covaci
Boyd Branch

Student Support UK:
Jadine Ingram
Alice Isacila
Sam White
Jayd Alex

Student Support Singapore:
Sylvester Tan
Clara Lim

SPecial Thanks

UKC Institutional Support:
Liz Moran
Oliver Carruthers
David Haigh
Dave Yard

NTU Singapore Institutional Support:
Muhammad Mustajab Bin Mohamad
Faith Teh Eng Eng 
Solomon Quek Jia Liang

Acknowledgements

Check out the collaborators:

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